More oils from my first gallery series. I chose painting kids because I love the innocence and honesty they naturally express in their eyes. My next series which includes much larger pieces focuses more on adults so I can explore deeper world weary emotions etched in their facial features.
This series, however, was challenging in the sense of painting a smooth child's face without getting too slick with the brush work. All in all I loved working with the models. When you think about it, oil painting is basically the art of capturing an emotional moment using animal hair attached to a stick to apply paint—no Photoshop "command z" to make mistakes go away.
Anyway, my son, Josh, posed for the painting Chores and the talented film director, Tim Hodge, posed for both Drifter and Hondo which was included here in an earlier post. My apologies to all of the victims—I mean models.
This series, however, was challenging in the sense of painting a smooth child's face without getting too slick with the brush work. All in all I loved working with the models. When you think about it, oil painting is basically the art of capturing an emotional moment using animal hair attached to a stick to apply paint—no Photoshop "command z" to make mistakes go away.
Anyway, my son, Josh, posed for the painting Chores and the talented film director, Tim Hodge, posed for both Drifter and Hondo which was included here in an earlier post. My apologies to all of the victims—I mean models.